In entry one of the web series Logbook, Wiley Miller decided he’d had enough of a slow start to winter in Southwest Montana and jumped in a Cessna 180 to head up north. Meeting up with Tanner Hall, the search turned out to be worthwhile as the crew found playful terrain, ample powder, and the kind of enjoyment that only winter in the north country can bring. Logbook will continue with its second entry at the beginning of March, with no telling where Wiley and his friends may end up. Skiers: Wiley Miller and Tanner Hall Shot, directed and edited by: Edward Clem Art and Motion Graphics by: Alex Wightman and Isaac Lowe Produced By: Wiley Miller and Edward Clem

In Entry Two of Logbook, Wiley and Ed head north to escape the drought in Montana for the massive peaks surrounding Golden, British Columbia. Meeting up with Todd Ligare, Mark Abma, and the Carnage Crew, the main concern when heading up was a warm spell gripping most of North America. The mountains had stayed cold, but high winds scoured most aspects, and coupled with a special avalanche warning conditions proved to be very tricky. Navigating the snowpack, and finding protected aspects yielded some surprisingly good skiing, and return to the great white north is high on the agenda for Wiley and the crew. Skiers: Wiley Miller, Todd Ligare, Mark Abma, Cayden Cecil Filmed and Edited by: Edward Clem Original Music by: Ben Van Motion Graphics by: Alex Wightman Produced By: Wiley Miller and Edward Clem

In Entry 3 and the Season Finale of Logbook, Wiley and the crew head out for an epic road trip along the famous Powder Highway in British Columbia. From Golden to the Coast Range, they found a mix of wind, sun, rain, powder, and everything in between. After sitting in the clouds for nearly two weeks, the sun finally came out and culminated the journey with one epic day that showed truth in the old saying, “patience is a virtue.” Skiers: Wiley Miller, Todd Ligare, Mark Abma Filmed and Edited by: Edward Clem Produced by: Wiley Miller Motion Graphics by: Alex Wightman Additional Cinematography by: Shane Roy